In March of 1991, NBA superstar Charles Barkley and his Phoenix Suns were playing in New Jersey when a hometown fan shouted racist slurs at him. Sir Charles responded by spitting at the fan, but his aim was off, and the spittle hit a little girl. Afterward, the press hammered Barkley about not being a good role model, and he snapped back, by saying that he didn’t want to be a role model. Barkley felt that parents, not jocks, should be who kids look up to. I agree 100% with that sentiment, unfortunately, athletes can’t control who chooses to admire them. Moreover, young people are more observant than we sometimes give them credit for, and what they see their heroes do, can inform how they themselves act in their own life. And that brings me to Naomi Osaka, a 23-year-old, four-time Grand Slam tennis champion.
Last week while competing at the French Open, Osaka refused to attend any post game press conferences, something that is required of pro athletes in most major sports, including tennis. Officials at the Open asked her to reconsider, and, according to Associated Press reporter Doha Madani, even attempted to “check on her well being.” But Osaka stood her ground, so tournament officials fined her $15,000. After that, the popular player announced that she was withdrawing from the French Open. Writing on social media, Osaka said she refused to attend any press conferences because she, “often felt that people have no regard for athletes’ mental health.” But the confusion comes in the fact that Osaka had issued two different statements to explain her boycott of press conferences.
As Madani reported, Osaka’s first statement made it clear that she refused to show up for pressers simply because she did not want to answer, “the same questions over and over again.” But in a later statement, she put an entirely different spin on the matter, by playing the mental health card, and saying that she suffers long bouts of depression, and “suffers great anxiety when faced with having to answer questions from journalists.”
Let me point out that Osaka is an adult and a professional. She signed on to play in the WTA, knowing what was expected of her and every other player. What’s more, Osaka has had no problem with benefitting financially from the system. Last year alone, she made over $37 million dollars, and most of that came from endorsements from companies who expect their stars to promote themselves and their products at every opportunity. In that regard, Osaka’s dramatic walk-out violated both the letter and the spirit of her contractual obligations, and left the French Open without one of its biggest draws. Speaking with the Associated Press, tennis star Rafel Nadal put the matter into perspective, saying, “Without the press, without the people who are normally traveling and writing about the achievements we are having around the world, probably we would not be the athletes that we are today.”
Still, it should be noted that anxiety and depression are very real disorders which deserve our attention, especially because an increasing number of Americans suffer with them. In fact, the AP reports that according to a recent CDC survey, the number of adults with symptoms of a depressive disorder, rose from 36% to 41% since last August, and nearly 12% of those folks “did not get the help they needed.”
So why then do I have the right to imply that Osaka is spoiled and selfish? After all, I’ve never played professional tennis, and I’m not an expert on anxiety and depression. But my bona fides include covering stars in every major sport, including interviews with Billie Jean King and Martina Navratilova at a time when they were struggling with how and when to come out, and in an era when sponsors would run away from gay stars. Osaka is fortunate to live in a more enlightened and politically correct era, which explains why her sponsors have stuck by her. King and Navratilova, meanwhile, went through hell, day in and day out as journalists and lovers threatened to expose them. They knew all too well what anxiety and stress were all about, and yet they showed up for press conferences and stayed around to answer all sorts of questions for as long as they were needed, and that included spending one-on-one time with me when I was free-lancing for ESPN and CNN. Billie Jean and Martina were role models to young women everywhere, and they accepted their responsibilities to their sport, their sponsors, and their fans, despite whatever personal stresses and traumas they were experiencing at the time.
And so, depending upon which of her explanations you believe, Naomi Osaka is either unwilling to answer questions from the press, or she’s unable to answer questions from the press. Only she knows which is really the case. If it’s the former, then she should continue to be fined for skirting her duties. If it’s the latter, then I wish her well with treatment and recovery. Either way, though, the message that she is sending to young people by boycotting press conferences and withdrawing from tournaments, is that it’s OK to quit. It’s OK to walk away from your responsibilities, and bite the hand of the sport that feeds you. And, it’s OK to go back on your word. Perhaps Miss Osaka’s symbolic spit is targeted at adults who don’t respect her emotional state, but her spittle is also hitting impressionable kids in the process. A tennis role model should have better aim.




I met Johnny in 2014 when he attended the Western Film Festival in Winston-Salem, and in the years since I would call him on his birthday and exchange holiday cards. Our last conversation was just prior to his Alzheimer’s diagnosis, and we talked about his role in Bill Tilghman and the Outlaws, a western film in which he portrayed silent movie star William S. Hart. Later that year, I interviewed Johnny’s pal, Paul Petersen (a fellow Mouseketeer and co-star of The Donna Reed Show), who told me about the diagnosis, and his plans to start a GoFundMe campaign to help pay for Johnny’s medical care. I asked Paul when he first knew that Johnny was sick.
























Posted June 15, 2021 By Triad TodayRemembering “The Love Boat’s” Gavin MacLeod
Love Boat guest star Suzanne Somers told me: “Gavin was the true definition of a star, but more than that, he was a light. He lit up the room, and everyone loved him. He makes everyone in the room feel fortunate that they are there.”
My friend Jerry Mathers was another guest star who could attest to Gavin’s genuinely warm personality: “It was so much fun ‘sailing’ on The Love Boat with my Leave it to Beaver family. Gavin was so gracious and engaging, and he made working on the production such a wonderful experience for us all!”
And then there was Happy Days mom, Marion Ross, who not only appeared on The Love Boat, she married the Captain! In real life, Marion and Gavin were long time friends and co-stars dating back to their work on 1959’s Operation Petticoat, so she was a natural choice to play Emily Stubing in a number of episodes. Marion told me, “We had a great romance on The Love Boat. Gavin was a wonderful man, and a wonderful talent.” (by the way, Marion still has the cake topper from their on-screen wedding).
I first got to know Gavin back in 2013 when I interviewed him about his newly released autobiography, This is Your Captain Speaking: My Fantastic Voyage Through Hollywood, Faith and Life. He was 82 at the time, and I asked him why he waited so long to write his memoirs. Said Gavin, “I only have a few years left, and I wanted to do it while I could still remember.” In the years since then, we stayed in touch, and I always enjoyed our conversations. Sadly, I will no longer have the privilege of speaking with one of the nicest men I’ve ever known. Gavin passed away on May 29. He is survived by his wife Patti, and four children. Gavin MacLeod was 90.
Born Allan George See, Gavin grew up in the town of Pleasantville, NY, and was bitten by the acting bug in kindergarten, where he starred in a Mother’s Day play.
Gavin: My teacher used to say I was the cutest boy in the class (because) I had won the Charming Child contest from the New York Daily Mirror. I played the part of a little boy who was trying to decide what to give his mother for Mother’s Day. He had no money, so he went into the forest and a bear said, “The thing to give your mother is a bear hug”. So I gave the girl who was playing my mother a big hug, and the audience applauded. I thought, “They like me! I want to do more of this!” And that was the beginning of me wanting to be an actor.
Like most struggling young New York actors of that era, Allan (by then known as Gavin MacLeod) took other jobs while waiting for his big break. He worked as an usher at Radio City Music Hall, and as a cashier at Jim Downey’s Steak House, a popular hang-out in the heart of the theatre district. Over time, Gavin got used to meeting big stars, but he wasn’t prepared for one particular customer who came in for a bite after working all day at the Actors Studio.
Gavin: One night I looked up across the bar and there was Eli Wallach with Marilyn Monroe. She had on an open blouse and a sweater over her shoulder, and was wearing no make up. And I thought, “Oh my God, it’s Marilyn Monroe!” They came over and sat down right across from me. She didn’t know I was an actor then, she just thought I was a young guy with a bad hair piece. I said, “Hello, how are you and how do you like New York?”. And Marilyn said, “It’s so different here. Everybody is so nice to me”. Then I said, “Well you’re the most beautiful thing I’ve ever seen”, and she laughed. And I said, “You know what I’m going to do when I get home at 1:30 in the morning? I’m going to call all of my friends and tell them I met Marilyn Monroe”. That’s when she really laughed.
A year later, Gavin made it to Broadway as a replacement actor in A Hatful of Rain, and from there he appeared in a number of live TV dramas. Then in 1962 he landed the role of sailor Joseph Happy Haines in McHale’s Navy, and all was well until his friend Ted Knight came aboard to do a cameo.
Gavin: Ted said, “Gavin how can you do this? You’re just a glorified extra”. What he said began to weigh on me, and I started drinking every day after work. I wasn’t myself. I was sort of disintegrating.
Gavin left McHale’s Navy, stopped drinking, and was selective about the roles he took in film and on television. The move paid off, and he was offered the role of Lou Grant in The Mary Tyler Moore Show. But MacLeod thought he’d be more believable as Mary’s buddy Murray Slaughter, and the rest is comedy history. The Lou Grant role went to Ed Asner who came to know Gavin as a trusted and loyal friend, as evidenced by this story that Ed related to me recently:
The Mary Tyler Moore Show ended production in 1977, and within two weeks, Aaron Spelling asked Gavin to assume the helm of The Love Boat as Captain Merrill Stubing. After making 250 voyages and winning 4 EMMYs, The Love Boat ended its run in 1987, but Gavin continued on as the face of Princess Cruise Lines. Meanwhile he turned down choice roles on TV in order to appear in religious films and devote his life to Christ.
Given Gavin’s immense popularity over the years, I once asked him if there was ever a time when fame went to his head. Said Gavin, “No, because I know how things can change overnight. I never believed all of the publicity. I don’t want to seem unduly humble, but I am a very grateful person. God has really had His hand on my life.” The Captain has spoken.