It used to be that Hollywood notables would wait until they reached the autumn of their years before penning an autobiography. Not so with Jon Cryer, who at the young age of fifty, has packed about two lifetimes worth of tales into his new book, So That Happened: a Memoir. Yes, he dishes on his Two and a Half Men co-star Charlie Sheen, but if you only read those chapters, you’ll miss the part where Jon was exposed to prostitutes at an early age, or how he was replaced by Mighty Mouse in a vitamin commercial, or all about his romance with Demi Moore, or how Britney Spears once saved him from the paparazzi, or how he got invited to a sleep-over at the Playboy mansion. That’s right, mild-mannered Jon Cryer has had a lot of weird experiences, but there’s a reason for that, as he explained to me, “There must be something about me that wants insanity in my life, because I ran into a fair amount of it for a guy who just wanted to be an actor.”
Cryer, who grew up in New York City, was a child of divorce. His father left home when Jon was four years old to pursue a career in acting. Jon’s mom was a writer and actress who arranged for her little boy to appear alongside her in a TV commercial for Zestabs vitamins. That was Cryer’s first taste of acting, and he was hooked. He also had an active imagination. I once asked him how he learned about the birds and the bees, and Jon said, “My Mom told me about it when I was 6, and I told all the other kids that the man puts his finger in the lady’s belly button, and that’s where babies come from.”
Jon skipped college in order to study his craft at the Royal Academy of Dramatic Art in London, and after appearing onstage and in a few guest spots on TV, Jon’s big break in films came in 1986, opposite Molly Ringwald in Pretty in Pink. Three years later he landed the lead role in his own short-lived TV series, The Famous Teddy Z, then appeared with Charlie Sheen in Hot Shots, a big-screen comedy. In 2003, Jon re-teamed with Sheen in Two and a Half Men, which became the highest rated sitcom on TV, until it shut down production in 2010 because of Charlie’s addiction and erratic behavior. When filming resumed, Hugh Grant was supposed to act opposite Jon, but when he backed out, Ashton Kutcher stepped in, and Men lasted for five more seasons. Jon has a star on the Hollywood Walk of Fame, and he is the only man to ever win both Best Actor and Best Supporting Actor EMMYs for the same show.
I first met Jon and Charlie back in 2008 when they appeared on my “Salute to TV Moms” event at the Television Academy, then returned to help me the following year for the “Salute to TV Dads”. Charlie began his downward spiral not long after the “Dads” event. Last week I spoke with Jon about his new book, his image, and his relationship with Sheen.
Jim: When preparing to film Pretty in Pink, Molly Ringwald thought you were gay, and you had to explain to her that you weren’t. Does that make you the first actor in the history of Hollywood to ever come out as “straight”?
Jon: (laughs) I suppose so now that you mention it. I am a pioneer. I can now leave the twilight world of the heterosexual.
Jim: Once when you were sitting around on a sound stage waiting to film a TV pilot, the studio audience started laughing before you ever said a word. In your book you said you came to the realization that, “They were laughing at the very idea of me.”
Jon: Yeah, I think being inherently somewhat ridiculous just gives people empathy. The second you walk out on stage, they see that thing in them that’s awkward, or doesn’t feel comfortable, and they empathize with it. To some degree I feel lucky that I’ve been blessed with that.
Jim: What was your assessment of Charlie Sheen’s talent in the first few years you worked together?
Jon: He made it look so easy, and that confidence infused our comedic dynamic, which was incredibly helpful. Even on my first audition with him, the smoothness of his delivery and his confidence created a perfect foil for me. He might have been out until 3 a.m., but he would still show up and he knew all his lines, rock solid.
But all that changed when Charlie’s drug addiction worsened. In his book, Jon describes Charlie as “starting to look gaunt, and his teeth looked like they were going to fall out. He still remembered his lines, but his timing was off.”
Jon: So when Charlie started falling apart, it was shocking because I was always the one who screwed up. We knew something was wrong.
Jim: And after an intervention by network brass and producers had failed, production shut down and Charlie was fired. Were you surprised at how that went down?
Jon: Yeah because generally they’ll just put up with a problem until the thing can’t work anymore. But in this case they were proactive. We could have finished the season and provided Warner Brothers with millions more dollars in revenue by completing that season, but instead they decided that continuing was going to kill Charlie.
Jim: Charlie apologized to you at a private meeting last year, but I got the sense that you didn’t buy into the apologies. Have you forgiven him and are you still friends?
Jon: The sober guy that I knew and worked with for five or six years, that guy is absolutely still my friend. But I don’t know that Charlie Sheen ever wants to be that guy again.
Jim: Would you ever want to work with him again?
Jon: If he made a lot of changes in his life. If he wanted to be that sober guy, but I don’t think he does.
Jim: Since you’ve done a lot of comedy, are you going to wait around until a dramatic role comes along?
Jon: No, I don’t do that. I just want to make great stuff. if it’s funny, great. If it’s dramatic, great. I’ll even do another multi-camera comedy. I love working that way.
And why not? Audiences love the very idea of Jon.
(So That Happened is published by New American Library, and is available in bookstores and on Amazon.)
Anthony Zuiker began his “show biz” career as an $8 per hour tram operator for a Vegas hotel. Back then his passengers hailed from around the globe, so Anthony wrote “The International Phonetic Language Booklet”, which enabled him to converse with his patrons in their native tongues. Even then, young Mr. Zuiker recognized the importance of communicating his message to a diverse audience – a revelation that helped him create one of the most successful franchises in the history of television, starting with “CSI”. The flagship show spawned “CSI: Miami”, “CSI: New York”, and now “CSI: Cyber”, the latter of which follows a team of agents (led by Oscar winner Patricia Arquette) who investigate any crime involving electronic devices. I first met and interviewed Anthony fifteen years ago as he was preparing to launch “CSI”. Last week we talked about his latest incarnation of the franchise.
Stock car racing and wine making are two of America’s most competitive industries, and one man has left an indelible mark upon both.


























Posted April 15, 2015 By Triad TodayMolly Ringwald to Open Tour in Triad
Back in 1979 when she launched into a song on an episode of The Facts of Life, 11-year-old Molly Ringwald gave us a glimpse into what would become a multi-faceted career. Charlotte Rae, who played Molly’s housemother on Facts, told me she isn’t surprised at how her young charge turned out. “She was a good little actress, very talented, and a dear sweet little girl. I think it’s awesome. What a big career she’s had.”
“Big” is sort of an understatement.
Ringwald cut her first album at age three, was the lead vocalist on two Disney albums at age twelve, and was on the cover of TIME by the time she turned eighteen. She has appeared in over 20 TV series, and starred in over 20 films, including Tempest, for which she earned a Golden Globe nomination. Molly has also authored several books, writes a weekly advice column, and has a new CD coming out. And next week, she embarks upon a concert tour, the first stop for which is UNCG, where the proceeds from her jazz stylings will go to benefit Greensboro Urban Ministries.
“I think it’s wonderful that she’s doing the concert with all the money going to charity,” said Charlotte Rae.
Putting Ringwald, UNCG, and Urban Ministries together was the brainchild of Steve Haines, director of the Miles Davis Jazz Studies program at UNCG. Haines told me his goal is to sell out Aycock Auditorium and raise $25,000 for the charity.
No doubt some concert goers will show up just to get a glimpse of the former teen heart throb they remember from Sixteen Candles, The Breakfast Club, and Pretty in Pink, the latter of which also starred James Spader (The Blacklist), Annie Potts (Ghostbusters), and Jon Cryer (Two and a Half Men).
Annie Potts told me, “Molly’s an amazing talent all the way around, and a wonderfully sweet person. I was struck by her maturity, and her gift at such a young age. She was wildly pulled together and focused. Just a great girl.”
Added Jon Cryer, “She is also a great singer.”
I spoke with Molly by phone last week, and we talked about her music, her children, and her career.
JL: You have a really smooth singing style. Did you have to work hard to attain that voice, or did it just come naturally?
MR: I’ve always been a singer, since was very little. It was what I did before I did anything else. So it’s sort of like riding a bike, you never really lose it. But the thing I worked the most on is I really wanted this album to have a very intimate sound. So that’s what I worked on most, just pulling my voice I listen to a lot of different singers, but I really think it’s important to sound like myself.
JL: Which gives you the most pleasure, singing, writing, or acting?
MR: I really don’t know if I can choose. It kind of goes back and forth, you know? I feel like singing is the most joyful thing I do, particularly when I’m on stage with all my musicians. It’s really enjoyable. Of course, the touring aspect of it, and being away from my family, and getting up early in the morning and going through security at the airport, all that I’m not crazy about. But the actual act of singing and listening to my musicians play is truly joyful. I also really enjoy acting in a great piece, and I love having written something that I really like, so I love all these things. I don’t know if I can really pick a favorite. It’s like picking your favorite child.
Speaking of children, America’s former teen sweetheart is now 47 years old, and the mother of three. And as if she doesn’t have her hands full parenting and touring, she also agreed to pen a weekly column for The Guardian, titled “Ask Molly”.
MR: It’s been a real window into what people think about, and what they’re concerned about, and what drives people. I thought it would be useful to my writing, and to my acting in terms of character, but it’s been a lot of work though.
JL: Suppose you received a letter from a successful actress and singer who wanted to know if she should encourage her three kids to go into show business?
MR: I get where you’re going with this, and the answer is “No”. I don’t want my kids to go into show business, at least while they’re young. I imagine it’s something at least one of them will pursue, and I will support them in that journey when they’re older, but right now they’re just going to stay in school and do stuff that’s non professional.
JL: But why don’t you want your children to follow in your footsteps now. I mean, you had great success in show business at an early age.
MR: Well, I think it’s just a hard business, and I feel like if you have talent, then that talent is going to be there when you’re older. I think it makes you a more interesting artist if you just take your time. I don’t want my kids to go the Disney starlet route. I was very lucky to keep my head on straight and stay focused on other interests, but I don’t want to put my kids into something where statistically they might end up messed up from it. I want them to take their time and try a lot of different things before they decide they want to do that one thing.
On Friday, April 24, Molly will do one of the many things she does so well: singing in front of a live audience.
JL: My wife and I went to a Tom Jones concert a few years ago, and women of all ages were still throwing undergarments at him on stage. I can’t help but think about your underwear fiasco in Sixteen Candles. Is it likely we’ll see men throw unmentionables at you during your concert?
MR: I don’t think I’ve ever had underwear thrown at me (laughs). It’s not exactly my demographic (laughs).
Tickets to the concert are available at TriadStage.org/tickets or call 336 272-0160.