
Not many people can boast that they lost their virginity to Ronald Reagan, won a Golden Globe for cross-dressing, and are famous for wielding a knife at a telekinetic prom queen. Come to think of it, there’s only one person I can think of who can make those claims.
Piper Laurie came up through the Universal Studios system in a class of freshmen that included Rock Hudson, Tony Curtis, Julia Adams, and James Best. Her first film role was in 1950’s Louisa (starring Ronald Reagan), and she proved to be one of the most versatile actors of the 20th century, at first specializing as the love interest of pirates, cowboys and pool sharks, and later, as every kind of mother, some with a nurturing nature and others with a psychotic bent. Piper is a three-time Oscar nominee for The Hustler (1961), Carrie (1976), and Children of a Lesser God (1986). She won the Golden Globe for Carrie (1976), and an EMMY for the TV movie Promise. Her last regular gig was earlier this year as the voice of Grandma in the podcast “Around the Sun.” Piper Laurie passed away on October 14. She was 91.
I first met Piper in 2014 at, of all places, a Western Film Festival, where loyal cowboy fans remembered her as much for a handful of forgettable oaters as for Carrie. We talked about her career, her autobiography, and yes, about her affair with the 40th President of the United States.
JL: You scared me to death in Carrie when you were wielding that knife at Sissy Spacek. Did you know that film was going to be so scary?
PL: I had no idea. I took the part because originally, I thought it was a comedy. Only in rehearsals did I find out from Brian DePalma that he meant it to be serious. I had worked out some comedy bits to do, and he stopped me after the second time and said, “Piper you can’t do that. You’ll get a laugh.” [laughs]
JL: Do you remember the first time you ever acted as a child?
PL: I was told that I went up on stage at the Fox Theatre in Detroit, Michigan when I was about 2 years old because they were giving away peanuts. You could take as many as you could carry, so I lifted my skirt to put the peanuts in it and the audience howled. My sister was mortified and talked about it forever because my underpants were showing [laughs] and everybody was clapping. But that was my first stage experience.
JL: I’m disappointed in you that as a serious actress, you would lift your skirt and work for peanuts.
PL: No comment.
JL: You received rave reviews for The Hustler, and I thought you would have gone on immediately to do lots more films, but you said goodbye to Hollywood and didn’t come back for 15 years until you did Carrie. Why did you get out and why wait so long to get back in?
PL: The work that was being offered wasn’t that interesting and the world was changing. The Vietnam War had started, and it seemed uninteresting for me to spend a lot of energy on something that wasn’t respected.
JL: Your new book is titled Learning to Live Out Loud. Why did you write it?
PL: A lot of stories get all mixed up and I just wanted to get it all straight. Also, I kept a lot of secrets and I thought they were really interesting secrets.
JL: You write in the book that when you were 18 years old, your first love was Ronald Reagan. You said he seduced you and that you had a relationship. So, my question is, why didn’t you end up as First Lady?
PL: Oh God. He wasn’t the man for me. It was a wonderful first love, but he wasn’t a man for me to be with the rest of my life. And he was 20 years older than I was. He was very attractive, though.
JL: You acted in a number of Westerns, and you were great in them, so since we’re here at the Western Film Fair I’m obliged to ask why you didn’t do more Westerns?
PL: Well, I was under contract to Universal and I did whatever they told me to do, but I was luckier than most because they put me to work right away and kept me working. I would do three or four films a year and when I wasn’t working, they would send me on the road to promote the ones I had done.
JL: Fans of Twin Peaks remember that magnificent disguise that you wore. You also did a lot of cameos and guest-starring roles during that time. Was it difficult to step into a guest spot in a show that was already established?
PL: It depends on the part. Sometimes parts are written very specifically for an outsider, and it works in that case. So, the fact that you have no relationship with the actors is OK. Usually, when I take a job like that, I make it my business to watch as many of the episodes as I can, in order to get up to speed.
JL: What have you been up to lately?
PL: I recently did my first stage musical, “A Little Night Music” in Santa Barbara at the opening of a brand-new theatre, and I had a great time.
JL: I’m just glad you didn’t do a new musical version of Carrie because I don’t think I could have withstood you singing with a knife in your hand. You scared me to death.
PL: Well, you look alright.
JL: I’m OK now, but I’m actually only 20 years old. I just look 60 because it scared me so bad.
PL: [Laughs]









JL:: How many kids auditioned for the role of Little Ricky in I Love Lucy?
Mayberry Days runs from Monday, September 18 through Sunday, September 25. For more information visit 


















Posted December 12, 2023 By Triad TodayNickel and Dime TV
The first movie theaters in America were called “nickelodeons” because it cost five cents to get in. Today we can watch movies at home on a variety of channels, and though it costs a lot more than a nickel to view, we can access those channels through a variety of delivery systems such as cable, satellite, and internet streaming. The first two are contract services delivered by either a landline or a dish. The latter is available online or on the go and requires no additional hardware. Just download an “app” and you’re all set.
Increasingly, younger consumers are choosing to “cut the cable” (a euphemism for getting rid of cable or satellite TV services) and instead are opting to watch their favorite movies or programs in à la carte fashion on their television or personal device without being technically or financially tethered to any one provider. Today’s cable-cutters generally cite high cost as their reason for changing providers and who can blame them?
No doubt both satellite and cable TV provide superior video quality compared to streaming, and the total number of channels available is far greater as well, but you pay through the nose for those privileges.
Sure, DirecTV offers three different packages ranging in price from $69 to $159 dollars per month, but if you have receivers in multiple rooms, then prepare for sticker shock, because each additional receiver runs an extra $7 per month. Then there’s $10 for high definition, a mandatory $13.99 for a “regional sports fee,” $20 for various state and county taxes, and, if you expect to receive technical assistance, you have to purchase a “Protection Plan” which runs $20.99 per month. It’s like dealing with the Mafia, except without the personal touch. Add up everything and you can expect to pay anywhere from $250 to $300 per month for DirecTV.
But it gets worse. For example, if you subscribe to a complete sports package which includes every standard ESPN channel, you still have to pay an additional fee to watch games of regional interest if your team happens to be playing on ESPN+. And if you’d like to watch some of the new TV shows on Cinemax or Disney, you have to ante up an additional fee even though you’re already paying for their parent channels. You’d think that as much as DirecTV charges, you’d be able to access those games and shows as part of your “package”. Think again.
OK, so say you decide to divorce yourself from cable or satellite. Sure, you can save money, but only if you limit the number of streaming services. YouTube TV costs $72 per month, Netflix is $20, Hulu is $89, Paramount+ goes for $12, Apple TV+ is $15, Peacock $12, Amazon Prime $15, FUBO TV $89, Sling TV $55, and Disney+ is $20, just to mention a few.
Now suppose your favorite TV shows are spread out among all of these streaming services. Let’s say I love Hijack and Slow Horses on Apple TV+. And suppose I just can’t do without Lawmen, Tulsa King, and The Good Fight on Paramount+. Suppose I’m addicted to Andor and Loki on Disney+, or Obliterated on Netflix. And I just can’t miss The Boys on Amazon Prime, Monarch on HBO Max, The Continental on Peacock, and Reservation Dogs, The Drop Out, and Goosebumps on Hulu. If you subscribe to all of those streaming channels in order to watch all of your favorite shows, then suddenly, your monthly bill is higher than most cable or satellite packages.
In analyzing the hidden and not-so-hidden costs of watching TV, I am reminded of a well-known complaint that is often uttered about taxes and how they mount up: “First they get you on sales tax, then property tax, then income tax. The government is just trying to nickel and dime us to death.” That’s how it is with TV providers. Little by little those incremental, add-on costs can strain your budget. Welcome to “Nickel and Dime TV.”